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Return to an investigation, compare drafts, or export a readable portfolio. First transfer responses stay separate from later revisions.
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JSON backups allow up to 15 MB. If all English work exceeds that limit, export each course below. Course backups contain editable drafts, annotations, source cards, cues and response history; importing one preserves all omitted courses. Readable portfolio files are for review and cannot be imported.
Import merges supplied activity records into this browser, keeping omitted work and known first responses. It can replace current drafts for supplied activities; export first to keep another version. Empty imported source-card or performance-cue lists retain existing tool work; remove individual cards or cues through their lesson or portfolio controls. The platform also keeps the preceding persisted records as a recovery backup.
Read like a literary detective
- What did the text actually say? — Not started
- Can you trust this narrator? — Not started
- How do words change the temperature? — Not started
- What changes when the ending comes first? — Not started
- Make the strongest case against your reading — Not started
- Put two texts into conversation — Not started
Portfolio: not submitted.
Write with purpose
- Make a reader able to act — Not started
- Build a paragraph that goes somewhere — Not started
- Make evidence do a job — Not started
- Change the sentence, change the emphasis — Not started
- Use a reader’s confusion as evidence — Not started
- Let readers trace what you borrowed — Not started
Portfolio: not submitted.
Poetry, drama and performance
- Make an image audible—or visible on the page — Not started
- Break a line; change an expectation — Not started
- Let a metaphor do more than one thing — Not started
- Give each character something to do — Not started
- Keep the words; change the relationship — Not started
- Defend a reading, then change one choice — Not started
Portfolio: not submitted.
Stories and creative writing
- Put a character under a small pressure — Not started
- Tell the same event from another edge — Not started
- Spend story time where it matters — Not started
- Write what characters will not say directly — Not started
- Make an ending grow from an earlier choice — Not started
- Revise the story’s decisions, not just its adjectives — Not started
Portfolio: not submitted.
Rhetoric, media and public voice
- Give a message an audience and a decision — Not started
- Find the bridge between evidence and a proposal — Not started
- Compare how messages direct attention — Not started
- Make a visual claim inspectable — Not started
- Let a serious objection change your argument — Not started
- Correct a message without hiding the correction — Not started
Portfolio: not submitted.
College composition
- Let a question earn its thesis — Not started
- Make sources speak to the same question — Not started
- Build a sequence of reasons — Not started
- Explain what evidence licenses you to say — Not started
- Change the genre without changing the facts — Not started
- Revise the argument before polishing the sentences — Not started
Portfolio: not submitted.
Literary inquiry and interpretation
- Find a question the whole story complicates — Not started
- Track who knows what, and when — Not started
- Use context without inventing a history — Not started
- Try a lens, then test what it leaves out — Not started
- Answer a reading at its strongest point — Not started
- Compare mechanisms, not just themes — Not started
Portfolio: not submitted.
Research, editing and publishing
- Scope a question you can actually investigate — Not started
- Choose sources for the claims they can support — Not started
- Preserve meaning when you borrow words or ideas — Not started
- Write a feature that keeps its evidence visible — Not started
- Edit with reasons and a visible decision trail — Not started
- Prepare a release you can explain and correct — Not started
Portfolio: not submitted.