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INVESTIGATION 3 OF 6

Let a metaphor do more than one thing

Develop and limit a figurative reading by testing it against the poem’s concrete details.

Why learn this? A metaphor offers a relationship to explore, not a code with one secret translation.

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Quick recap: Literal meaning concerns what the words directly describe. Figurative meaning develops a comparison or association beyond that description.

Lesson activities

Choose either at any time. Your drafts stay with you.

1. Try — read before judging

Instructions for a Pocket — an original poem. The “you” is an addressed figure within the poem; it need not refer to the reader or the author.

  1. Your pocket is a small museum.
  2. A ticket curls beside a stone.
  3. The ticket knows where you have been;
  4. the stone refuses every label.
  5. You keep them both. The cloth wears thin.
  6. One day the road will ask for something back.

Go directly to the workbench

2. Predict — make a provisional choice

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3. Experiment — test your reading

  1. Annotate two details supporting a memory or identity reading, and one that complicates it.
  2. Write a second reading that takes the objects’ physical weight and wear seriously.
  3. Revise your claim to explain how the literal pocket and figurative museum interact. Avoid substituting a slogan for the poem.

Your evidence board

Select a line, name its role and explain your reasoning. Labels record your interpretation; the site does not decide whether it is convincing.

Your pocket is a small museum.
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Comparison draft

Save your first version here before revising. It will remain unchanged while you edit the working draft.

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4. Understand — connect choice and effect

Calling a pocket “a small museum” invites a comparison. Museums keep, select and display objects; a pocket also contains objects, but it is private, mobile and easily worn. The comparison illuminates some features while making other differences noticeable. A metaphor need not match in every respect to be useful.

The ticket and stone resist being treated as interchangeable symbols. A ticket can name a journey or event, which helps explain why it “knows where you have been.” The stone “refuses every label,” giving an ordinary object an imagined resistance to classification. This can support an interpretation about memory’s limits, but the physical difference between the objects remains important.

The thinning cloth introduces material wear. Keeping things has consequences even if the objects’ meanings remain uncertain. The last line gives the road agency: it can “ask for something back.” That may suggest loss or a return, but it does not specify which object will go or why. Preserve that openness when you formulate a claim.

Avoid decoding the poem into a list such as “pocket equals mind; road equals life.” That procedure can erase the relations that make the language interesting. Instead, test a claim against every major detail. If a memory reading explains the ticket but ignores the stone’s refusal of labels, qualify it. An alternative physical reading may reveal weight, wear and movement that the first reading overlooked. Ambiguity permits several supported readings; it does not make all claims equally well grounded.

Metaphor
A figurative identification that invites readers to understand one thing through another.
Ambiguity
More than one meaning or relationship remains plausible within the available language.
Worked example — a possible revision, not the only answer

Before

The pocket means memories and the road means life.

After

Calling the pocket a museum makes its ordinary contents seem curated. Yet the stone’s refusal of labels and the thinning cloth suggest that keeping things does not guarantee that their meanings can be fixed or their presence maintained.

The revision explains relationships among details. It does not assign each object a permanent one-word meaning.

Return to your workbench and reconsider a choice

5. Apply — make something and try a new case

Your main artifact

Write two 120-word readings and a final paragraph identifying which details each reading explains best.

Keep your artifact in the working draft above. Suggested lengths help you plan; they do not measure quality.

Unfamiliar passage

The map folded its sea into the mountain. I carried both through the rain.
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0 saved attempt(s).

6. Continue — record work without claiming mastery

Completion means you worked through this investigation. Your interpretation and writing still need judgment using the project rubric; no automatic proficiency score is awarded.

Continue: Give each character something to do

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