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INVESTIGATION 2 OF 6

Make sources speak to the same question

Synthesize sources around a shared issue while preserving differences in what each source can establish.

Why learn this? A sequence of summaries leaves the reader to do the writer’s central work: explaining how the evidence relates.

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Quick recap: Summary explains one source. Synthesis puts sources into a meaningful relationship such as agreement, tension, extension or different scope.

Lesson activities

Choose either at any time. Your drafts stay with you.

1. Try — read before judging

Three original fictional documents about the same seminar. Each is a different kind of evidence, not three equally authoritative votes.

  1. A — tutor log, week 1: 8 of 20 students spoke at least once. Week 2: 14 of 20 spoke at least once. Discussion topics differed. No reading-completion measure was taken.
  2. B — voluntary anonymous comment: “I read on the bus but cannot always upload before the morning class.” Four other comments were collected; this sentence is one person’s account.
  3. C — instructor planning note: “A short response could help me notice confusing passages before class, if I can review the responses in time.” This is a proposed use, not a measured result.
  4. QUESTION: What would a preparation requirement need to accomplish, and what might interfere?

Go directly to the workbench

2. Predict — make a provisional choice

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3. Experiment — test your reading

  1. Create one source card per document with an exact quotation, faithful paraphrase, locator A/B/C, relevance and a specific limitation.
  2. In your draft, make a small synthesis matrix: rows for participation, access and feedback; columns A, B and C. Write “not addressed” where appropriate.
  3. Write a paragraph organized by one issue, using at least two documents. Explain the relationship instead of reporting them one by one.

Your source dossier

Keep source wording, your paraphrase and your reasoning in separate fields. Locators are stored as plain text; the site does not fetch or verify them. Label fictional teaching sources as fictional.

0 / 16,000 characters · length is a storage limit, not a quality score
0 / 16,000 characters · length is a storage limit, not a quality score

Comparison draft

Save your first version here before revising. It will remain unchanged while you edit the working draft.

0 / 16,000 characters · length is a storage limit, not a quality score

4. Understand — connect choice and effect

Organize by a question, not a pile of sources

Imagine three paragraphs beginning “Source A says,” “Source B says” and “Source C says.” Each may be an accurate summary, yet the reader still has to work out what the documents mean together. Synthesis makes that relationship the writer’s responsibility.

Use a matrix to slow down before drafting. Put participation, access and feedback in rows, and documents A, B and C in columns. In each cell, record what the source contributes and what it does not address. “Not addressed” is a useful entry. It prevents silence from becoming agreement or disagreement.

The log and the bus comment do not necessarily conflict. One counts visible speaking; the other describes a possible submission barrier despite reading. The instructor note proposes a use for responses. It does not report successful feedback. These sources illuminate different parts of a design problem.

Build a paragraph around one relationship. Begin with your issue, introduce the relevant evidence with its source label, explain how the sources connect, and draw a bounded implication. For example, a distinction between reading and uploading can justify investigating deadline access; it cannot establish that most students face that barrier.

Keep exact quotations and paraphrases separate in your source cards. When you draft, attribution belongs beside the borrowed information, not only in a final list. The packet labels are sufficient locators for this exercise. Real research needs enough information for a reader to find the actual work and passage. Never turn an invented packet document into a real scholarly citation.

Synthesis
An explanation of relationships among sources in service of the writer’s question.
Synthesis matrix
A working table that compares what sources contribute to common issues, including gaps.
Worked example — a possible revision, not the only answer

Before

A says 8–14 students spoke. B discusses the bus. C supports responses. These sources prove preparation works.

After

The packet distinguishes visible participation from access to preparation. The tutor log counts speakers but cannot explain why participation varies (A). One voluntary comment identifies upload timing as a possible barrier despite reading being done (B). A response requirement would therefore need to distinguish reading from submission access before its effects could be evaluated.

The paragraph makes a relationship and gives each source a bounded role. It does not convert a single comment into a prevalence estimate.

Return to your workbench and reconsider a choice

5. Apply — make something and try a new case

Your main artifact

Complete the three-source matrix and write a 200-word synthesis around one issue.

Keep your artifact in the working draft above. Suggested lengths help you plan; they do not measure quality.

Unfamiliar passage

A museum counts 60 visitors on a Saturday. A visitor says the labels were hard to read. A curator proposes larger labels. No comprehension study has been done.
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0 saved attempt(s).

6. Continue — record work without claiming mastery

Completion means you worked through this investigation. Your interpretation and writing still need judgment using the project rubric; no automatic proficiency score is awarded.

Continue: Build a sequence of reasons

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